It’s a hard truth embraced by aerialist Madeline Farinas de Leon: you can’t inflate a résumé to climb the Corde Lisse. Name-dropping won’t steady you on the Lyra. And no amount of jargon will keep you from slipping off the Roman Rings.

“I feel like with circus, you either did the thing or you didn’t. It’s very strict in that way,” Farinas de Leon says. “If I can’t do 10 pull-ups, there’s no talking my way out of it. There’s no writing a clever cover letter for it. I just didn’t do the 10 pull-ups.”

“And I actually enjoy that,” she says.

The circus corner of her world provides a break from an intensely professional persona, one filled with artistic reflections, political discourse, and career goals. Every moment is carefully organized in a planner: an agenda dominated by shades of gray, with few clear black-and-white moments.

But she relishes the busyness. She recently graduated from the Kansas City Art Institute with a double major in Fiber and Creative Writing, plus a minor in Sound. For the 2025 Commencement, she was selected as the sole student speaker. During the school year, she juggled up to four jobs at once (“Never less than two,” she says.) It all followed her recent participation with the International Youth Think Tank (IYTT), which focuses on promoting and preserving democracy on a global scale.

“For that, I was the only one who had formally studied art,” she says. “A lot of people were like, ‘Oh, I paint’ or ‘I do this,’ which I thought was awesome. But I was definitely the only one with a degree outside the realms of politics, policy, or environmental science.”

“And it didn’t feel isolating. It actually felt really validating.”

Weaving Democracy

The 2025 International Youth Conference happened in mid-April in Washington, D.C., with IYTT giving participants (including Farinas de Leon) one overarching assignment: to develop their strongest arguments for why an open, democratic society offers the most desirable conditions for fostering humane global development.

They were also asked to come up with real ideas on how to keep democracies strong when times get tough. The groups met on their own, with moderators helping out, and spent time getting to know each other.

“We were going around the circle saying our degrees, and I was like, ‘Fiber art,’” she says.

“People were like, ‘What is that?’ And it kind of felt like, ‘Who are you?’ but in a good way. The thing is, I’m kind of a political bro, and I was genuinely excited to talk with people from other backgrounds. I thought I might feel jealous, but instead, I realized I had something different to contribute because of my arts education.”

A key part of her political engagement also comes from a long history of volunteering. Growing up in Illinois, she did it often, and after graduating, Farinas de Leon has renewed that commitment. She’s currently training to become a hospital advocate and plans to volunteer during local elections.

She credits the KCAI Fiber department with helping her hold onto these values. Her classmates showed a genuine interest in her IYTT experience, and both classmates and faculty encouraged her to share what she learned.

“They were like, ‘Debrief us. Let’s talk.’ And so we did,” she says.

“Honestly, a lot of the conversations we had at the think tank are things we already talk about every day in art school. I was like, ‘Oh my God. We do talk about this stuff all the time. It’s more informal, sure, but it’s real.”

Image: Artwork by Madeline Farinas de Leon (’25 Fiber, Creative Writing, & Sound)

Hanging Art

There’s no winging it when it comes to weaving.

Farinas de Leon says some level of planning is unavoidable. Still, she often questions what makes a piece feel complete. Sometimes, she’s more excited to cannibalize a project than leave it hanging on a gallery wall. Other times, she looks at a piece and thinks about its timeline in years rather than weeks.

“Even with this beading project I started a couple days ago, I’m already thinking, ‘Hmm, what if I just kept beading until it couldn’t hold any more beads?’” she says. “Then I ask myself, ‘How long would that take?’”

“I feel like I'm definitely someone who wants to find a way to synthesize everything I know into one thing. I like it all.”

But she describes herself simply as a weaver when it comes to fiber. She considers herself lucky to have discovered and had access to the floor loom program and curriculum at KCAI. As graduation approached, Professor of Fiber and department chair Pauline Verbeek found her a parting gift of sorts: a loom sourced through the Weavers Guild of Greater Kansas City. It’s too large for her student apartment, but perfect for where she’s headed next. “I’m just gonna weave and weave and weave,” she says.

But ask her to describe herself in a different context and she might give you a different answer.

“I definitely see myself as a performance artist, even when things aren't a performance,” she says.

“Even when I’m weaving or beading, there’s a performative aspect because of the effort involved and the way my body moves during the process. I think about performance a lot, which, obviously, comes from being a circus performer.”

Farinas de Leon’s third personal label is aerialist, an acrobatic performer who works suspended high above the ground using hoops, ropes, and similar equipment. She’s also developing hand balancing skills, which involve holding poses while supporting her body weight on her arms. And if that weren’t enough, she also stilt walks and performs with fans (meaning items you wave, not admirers).

But simply put, she is an aerialist.

Image by Kellie Green

“I usually describe it as I’ll do anything rigged from the ceiling. But that’s not entirely true because I’m not good at silks and wouldn’t be hired for it. I do a discipline called Roman rings, which are basically gymnastics rings made of metal. I also do the hoop called Lyra.”

Involved with both the Great Plains Circus Center and KC Aerial Arts, she regularly takes on performance and coaching gigs around Kansas City. What draws her to aerial work is the act of performing itself and the opportunity to tap into a version of herself she doesn’t always access. It’s not necessarily about playing a character (“Sometimes you’re just on the hoop,” she says), but it offers a break from the everyday self she brings to her art and daily life.

“I like that you either do it right or you do it wrong. Obviously, I love art and I do it, but it’s very gray. So it’s fun to exist in both worlds, because in the air, mistakes are a lot more obvious,” she says.